divergent media

Understand XAVC

For the last few years, Sony has been shipping cameras with a new format, XAVC. XAVC encompasses a lot of different elements, and it’s created some confusion about what XAVC is, and what it isn’t. We’d like to help unravel the confusion, both from the official uses of XAVC, and some of the colloquial uses we’ve seen.

The basics

There are a few things that are constant about XAVC. XAVC is always going to involve some form of H.264 video, along with uncompressed LPCM audio. So, if you’ve got MPEG2 video or AC3 audio or any other permutation, it’s not XAVC.

We’ll get into some of the particulars of how H.264 is used within XAVC a little later. First, let’s cover the wrappers.


A “wrapper” is the container that holds your audio and video. One wrapper most people are familiar with is the QuickTime .MOV format. An MOV file might contain many different types of video and audio, but the MOV part stays the same. Other wrappers include M2T, MXF, AVI, etc.

XAVC generally uses the MXF wrapper, with the audio and video in a single file. (Other vendors use separate MXF files for audio and video.) However, there’s one flavor of XAVC, called XAVC-S, that uses the MP4 wrapper format. This format is found in the popular Sony A7s camera. Whether it’s MXF or MP4, the data inside the file is still H.264 and LPCM audio.

One common area for misunderstanding is the overlap between XAVC and AVCHD. AVCHD is a popular HD format, which normally uses the “MTS” wrapper. AVCHD is usually H.264 with AC3 audio, though some cameras have extended it to use LPCM audio as well. Some of Sony’s XAVC cameras are also capable of recording the AVCHD format, but at that point, they’re just recording AVCHD. It’s not “XAVC inside AVCHD” or anything like that.


The XAVC family ranges from very affordable pocket-friendly cameras, to very expensive shoulder-mount cameras. It’s a very capable format, which means there are many variations in use. Most of these variations appear as different “profiles” of the H.264 codec, which have different capabilities. For a primer on these types of compression, check out our blog posts on intraframe and interframe compression.

The H.264 format within XAVC can be either 4:2:0, 4:2:2, or 4:4:4 color sampling. It can have either 8, 10 or 12 bits per sample (4:4:4 and 12bit have been announced, but aren’t included in any current camera models). And it can scale all the way from “proxy” sizes (480p for example) to full 4K, and potentially beyond, at very high frame rates.

XAVC can also be either intra-frame or inter-frame. In the video community, these have come to be known as XAVC-I and XAVC-L (for long-GOP or inter-frame). The different modes offer different capabilities, and these vary from camera to camera.


While Sony is making use of well-known standards like H.264 and MXF, there have been some compatibility issues with XAVC in a variety of applications. In large part, this is because they’re using components of the H.264 specification that haven’t been widely adopted in the past. In particular, they’re using the “high” profile, levels 5.1 and 5.2. Many of the H.264 decoding tools on the market don’t properly handle these. In addition, a number of H.264 decoders, including the one built into Mac OS X, don’t deal well with the mix of inter-frame compression and higher bit depths.


We’ve created a chart, below, which maps out how all these factors relate. For a full rundown, check out Sony’s profiles and operating points guide.

XAVC and EditReady

We’ve been working to stay ahead of the curve with EditReady, by adding support for formats like XAVC-S, XAVC-L, and XAVC-I as the cameras have shipped. For both compatibility reasons, and performance reasons, we strongly recommend using EditReady to transcode these formats to an intermediate format like ProRes for editing.

Wrapper MP4
Bit Depth 8bit
12bit No cameras currently use XAVC 12-bit
Frame Size SD
Color Sampling 4:2:0
4:4:4 No cameras currently use XAVC 4:4:4
Framerates up to 60p up to 180p1 up to 60p up to 60p up to 120p
Bitrates up to 150mbps up to 440mbps up to 720mbps up to 960mbps up to 100mbps
H.264 Profiles Main Profile, High Profile, High 4:2:2 Profile, Level 4 or more High 10 Intra Profile, High 4:2:2 Intra Profile, Level 4 or more High Profile, High 4:2:2 Profile, Level 4.2 or more High Profile, High 4:2:2Intra Profile, Level 4.2 or more Main Profile, High Profile, Level 2.1 to 4.2
Inter/Intraframe LongGop Intraframe LongGop Intraframe LongGop
Supporting Cameras (partial list) PXW-X70

1: Not listed in “Profiles” document, but in use in F5, F55, and FS7

EditReady General